Utah Music Teachers Association
St. George Chapter
Presentation:
Randalin Hilton introduced our presenter, Dr. Nancy Allred, who in addition to being a long-time member of our chapter, is the head of the Piano Pedagogy Department at DSC, and is the accompanist and assistant director of the Heritage Choir.
Nancy talked to us about “discovering intermediate piano levels”, with a “focus on technique and literature”. She gave out several handouts. One of them was her Piano Technique steps that she uses with her students. She said that she does not move students on to the next level until they can play the step they are on easily at the metronome level listed. She stressed the importance of teaching scales and having them practice them regularly so that “with each level, they have the goods to play” the literature. She gives her students four scales each week. She asked teachers at what level of their method books do they branch out into intermediate material.
Nancy feels that AIM and other adjudication are helpful guides as long as the teacher doesn't narrowly teach to the test. She talked about her other handouts. One was the “Licentiate of the Royal Conservatory of Music in Piano Performance Syllabus”, which contained the repertoire list that they use for their LRCM examination. She said about it that it is the “Magnum opi of what you would want your students to know. She had made copies of the first few pages of each level of the California Association of Professional Music Teachers and gave us the website for it.
Nancy showed us two books that are very useful in determining levels: Standard Piano Teaching Literature by Jane McGrath, and Guide to the Piansist's Repertoire by Maurice Hinson. She also discussed leveled literature series such as those put out by Bastien and Snell. Her favorite of those is Bastien Piano Literature, Book 3.
Nancy shared other helpful insights that made for a very practical, informative meeting.
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UMTA MEMBER BENEFITS (or Why You Should Join)
- IMPROVES YOUR TEACHING SKILLS!!
- UMTA members are listed on the state directory. People looking for a teacher in this area are automatically funneled to UMTA members
- Promotes professionalism in your teaching
- Helps you help OTHERS improve THEIR teaching skills
- Monthly lectures/presentations are FREE
- Annual UMTA Conference is $30 cheaper!!
- Camaraderie with other teachers/musicians
- Community Involvement Opportunities
- IT'S TAX DEDUCTIBLE ~ ~ IT'S TAX DEDUCTIBLE!!
- Access to National Information, Help, etc
- Subscription to American Music Teacher is included
- 15% discount on all music at MUSIC WORKS the day of our association meetings
- 20% discount at Barnes & Noble w/ membership card
2009 UMTA Fall Performance Evaluations
The UMTA Performance Evaluations were held last weekend (October 9th & 10th ) and went extremely well. Dr. Hilary Demske, from UVU was the adjudicator, and did an excellent job of evaluating 120+ students!! (Her poor arm!)
Several teachers took advantage of this great opportunity and we would like to encourage everyone who is actively teaching to consider entering their students next year. This is a wonderful chance to have excellent one-on-one instruction, written and verbal, for each student. It does take preparation by teacher and student, but it is well worth the effort.
Teachers learn LOTS, too, by seeing what other teachers are doing with their students, repertoire being used, overall presentation, etc.
One of the things I observed about my students in comparison with other teachers' students, is that my students need to have more depth to their dynamics, whether louder louds or softer softs.
Sooooo, during their scale practice for the next two months, I am having my students use LOTS of exaggerated dynamics. If they are playing a set of three scales they do it three times: 1. LOUD AND SLOWLY 2. FAST AND SOFT 3. LOUD AND SLOWLY. If they need a little variety I will have them crescendo on the way up for two octaves, and decrescendo on the way down.
This is just ONE of the things I learned and will make me a better teacher because of the evaluations! PLEASE take advantage of this opportunity next year, if you don't already!
Several teachers took advantage of this great opportunity and we would like to encourage everyone who is actively teaching to consider entering their students next year. This is a wonderful chance to have excellent one-on-one instruction, written and verbal, for each student. It does take preparation by teacher and student, but it is well worth the effort.
Teachers learn LOTS, too, by seeing what other teachers are doing with their students, repertoire being used, overall presentation, etc.
One of the things I observed about my students in comparison with other teachers' students, is that my students need to have more depth to their dynamics, whether louder louds or softer softs.
Sooooo, during their scale practice for the next two months, I am having my students use LOTS of exaggerated dynamics. If they are playing a set of three scales they do it three times: 1. LOUD AND SLOWLY 2. FAST AND SOFT 3. LOUD AND SLOWLY. If they need a little variety I will have them crescendo on the way up for two octaves, and decrescendo on the way down.
This is just ONE of the things I learned and will make me a better teacher because of the evaluations! PLEASE take advantage of this opportunity next year, if you don't already!
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